Prime-Mitgliedschaft. In der Hauptrolle: Min-hee Kim, Tae-ri Kim, Jung-woo Ha und Jin-woong Cho; Regie: Chan-wook Park. Ist "Oldboy" einer der besten Filme von Park Chan-Wook? Entdecke die besten Filme von Park Chan-Wook. Der südkoreanische Regisseur Park Chan-wook arbeitet an einem neuen Film, der Decision to Leave heißen soll. Damit kehrt der.
Park Chan Wook Leben & Werk
Park Chan-wook ist ein südkoreanischer Filmregisseur, Drehbuchautor und Filmproduzent. Park Chan-wook (* August in Seoul, Südkorea) ist ein südkoreanischer Filmregisseur, Drehbuchautor und Filmproduzent. Lady Vengeance – Wikipedia. Ist "Oldboy" einer der besten Filme von Park Chan-Wook? Entdecke die besten Filme von Park Chan-Wook. Alles zu Park Chan-wook (*) bei plasmaseu.eu · Hier findest du alle Filme von Park Chan-wook, Biografie, Bilder und News · plasmaseu.eu Der südkoreanische Regisseur Park Chan-wook arbeitet an einem neuen Film, der Decision to Leave heißen soll. Damit kehrt der. Park Chan-wook ist einer der bedeutendsten Filmemacher Asiens. Diese fünf Filme von ihm musst Du gesehen haben. Von Oldboy bis hin zu.
Alles zu Park Chan-wook (*) bei plasmaseu.eu · Hier findest du alle Filme von Park Chan-wook, Biografie, Bilder und News · plasmaseu.eu Park Chan-wook ist einer der bedeutendsten Filmemacher Asiens. Diese fünf Filme von ihm musst Du gesehen haben. Von Oldboy bis hin zu. Park Chan-wook ist in Seoul groß geworden und studierte Philosophie an der Sogang University, wo er einen Filmclub, die „Sogang Film Community“, gründete.
Park Chan Wook Facebook Messenger VideoLeica and Monochrom - with Chan-Wook Park
She is a pickpocket recruited by a swindler posing as a Japanese Count to help him seduce the Lady to elope with him, rob her of her fortune, and lock her up in a madhouse.
The plan seems to proceed according to plan until Sookee and Hideko discover some unexpected emotions. Written by CJ Entertainment.
So I had huge expectations going in, and boy, they were met. TheHandmaiden is a masterpiece in pretty much every sense. It is visually exquisite, Costumes, production design, cinematography, music, all combine to create a lush vision of Japan-occupied Korea in the s.
Park Chan-Wook is a visually meticulous filmmaker and no film so far of his has showcased his knack for visual storytelling better than the Handmaiden.
I went into this film totally blind, which I honestly recommend all people doing, because the plot itself unfolds in such a beautifully engineered fashion.
My best description of the film is a Rebecca-like Hitchcockian thriller with the extremity and depravity of films like Oldboy and Battle Royale, and the humanistic sexuality of Blue is the Warmest Colour.
All actors are stunning in this film. The two women share an honest, tender romance that is both passionate and moving, with a refreshing candour about the nature of sexuality that is almost never seen in Hollywood productions.
The Count is an incredibly charismatic performer who remains appealing despite his many despicable acts. But as always with a Park Chan-Wook film, the real star is the director himself.
The way in which this story is crafted is nothing short of engrossing. The outrageous, depraved, sexy, fascinating plot is crafted through multiple perspectives, dashing across back and forth in time, to masterfully reveal key plot points across a never less than spellbinding two hour run time.
Some would say the film is slow, but I felt as though the extended running time worked in the film's favour, in order to build character to the extent that the finale for the film feels momentously epic, a real feat considering the movie showcases only four key characters.
I was utterly engrossed by this beautifully made film. Looking for some great streaming picks? Check out some of the IMDb editors' favorites movies and shows to round out your Watchlist.
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Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide. External Sites. User Reviews. Stoker is very underrated.
Handmaiden is very overrated: paper-thin characters, puppets for a plot…. In which order would you guys rank those 3 movies?
Handmaiden is just perfect. Pure cinematic perfection. No way Lady Vengeance is better than Mr. The quality of the writing and direction is incomparable, and the religious themes in Lady Vengeance are seriously cringe.
The beauty of opinion. Lady Vengeance is my least favorite of the trilogy. It runs in their family. This site uses Akismet to reduce spam.
Learn how your comment data is processed. Pages: 1 2. Comments 20 Park Chan-wook Movies Ranked. Stelios Zesiades says: Reply April 27, at am.
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Vicente Sobral says: Reply April 28, at am. Bergkamp says: Reply April 28, at am. Brandon Bombay says: Reply April 28, at am. Dae-su activates the device to kill him, only to find it is actually a remote for loudspeakers, which play an audio recording of Mi-do and Dae-su having sex.
As Dae-su collapses in despair, Woo-jin enters the elevator, recalls his sister's suicide, and shoots himself in the head.
Some time later, Dae-su finds the hypnotist to erase his knowledge of Mi-do being his daughter so that they can stay happy together. To persuade her, he repeats the question he heard from the man on the rooftop, and the hypnotist agrees.
Afterward, Mi-do finds Dae-su lying in snow but there are no signs of the hypnotist, leaving it ambiguous if Dae-su really met her.
Mi-do confesses her love for him and the two embrace. Dae-su breaks into a wide smile, which is then slowly replaced by a look of pain.
The corridor fight scene took seventeen takes in three days to perfect and was one continuous take; there was no editing of any sort except for the knife that was stabbed in Oh Dae-su's back, which was computer-generated imagery.
The script originally called for full male frontal nudity, but Yoo Ji-tae changed his mind after the scenes had been shot.
Other computer-generated imagery in the film includes the ant coming out of Dae-su's arm according to the making-of on the DVD the whole arm was CGI and the ants crawling over him afterwards.
The octopus being eaten alive was not computer-generated; four were used during the making of this scene. Actor Choi Min-sik, a Buddhist , said a prayer for each one.
Usually the nerve activity in the octopus' tentacles makes the pieces still squirm posthumously on the plate when served. The final scene's snowy landscape was filmed in New Zealand.
In an interview with Park included with the European release of the film , he says that the ambiguous ending was deliberate and intended to generate discussion; it is completely up to each individual viewer to interpret what isn't shown.
Oldboy received generally positive reviews from critics. The site's consensus is "Violent and definitely not for the squeamish, Park Chan-Wook's visceral Oldboy is a strange, powerful tale of revenge.
Roger Ebert of the Chicago Sun-Times gave the film four out of four stars. Ebert remarked: "We are so accustomed to 'thrillers' that exist only as machines for creating diversion that it's a shock to find a movie in which the action, however violent, makes a statement and has a purpose.
Stephanie Zacharek of Salon. Bradshaw summarizes his review by referring to Oldboy as "cinema that holds an edge of cold steel to your throat. Jones of the Chicago Reader was also not impressed, saying that "there's a lot less here than meets the eye.
In , Oldboy was placed 64th on an Empire list of the top movies of all time. Park Chan-wook stated that he named the main character Oh Dae-su "to remind the viewer of Oedipus.
Park Chan-wook said he designed this pose to convey "the image of Apollo. The link to Oedipus Rex is only a minor element in most English-language criticism of the movie, while Koreans have made it a central theme.
More parallels with Greek tragedy include the fact that Lee Woo-jin looks relatively young as compared to Oh Dae-su when they are supposed to be contemporaries at school, which makes Lee Woo-jin look like an immortal Greek god whereas Oh Dae-su is merely an aged mortal.
Indeed, throughout the movie Lee Woo-jin is portrayed as an obscenely rich young man who lives in a lofty tower and is omnipresent due to having placed ear bugs on Oh Dae-Su and others, which again furthers the parallel between his character and the secrecy of Greek gods.
One could also mention Mido, who throughout the movie comes across as a strong-willed, young and innocent girl, which is not too far from Sophocles' Antigone, Oedipus' daughter, who, though she does not commit incest with her father, remains faithful and loyal to him which reminds us of the bittersweet ending where Mido reunites with Oh Dae-Su and takes care of him in the wilderness cf.
Oedipus at Colonus , the second installment of the Oedipus trilogy. Another interesting character is the hypnotist, who, apart from being able to hypnotise people, also has the power to make people fall in love e.
Oh and Mido , which is characteristic of the power of Aphrodite, the goddess of love, whose classic act is to make Paris and Helen fall in love before and during the Trojan War.
In South Korea , the film was seen by 3,, filmgoers and ranks fifth for the highest-grossing film of Nearly all the music cues that are composed by Shim Hyeon-jeong, Lee Ji-soo and Choi Seung-hyun are titled after films, many of them film noirs.
Zinda , the Bollywood film directed by writer-director Sanjay Gupta , also bears a striking resemblance to Oldboy but is not an officially sanctioned remake.
It was reported in that Zinda was under investigation for violation of copyright. A spokesman for Show East, the distributor of Oldboy , said, "If we find out there's indeed a strong similarity between the two, it looks like we'll have to talk with our lawyers.
Steven Spielberg originally intended to make a version of the movie starring Will Smith in He commissioned screenwriter Mark Protosevich to work on the adaptation.
Spielberg pulled out of the project in An American remake directed by Spike Lee was released on 27 November From Wikipedia, the free encyclopedia.
Theatrical release poster. Release date. Running time. This section needs expansion. You can help by adding to it.
November Jo Yeong-wook. British Board of Film Classification. Retrieved 26 March The Numbers. Retrieved 16 February Box Office Mojo.
Retrieved 20 May Chicago Sun-Times.